Array-ne This is a list of videos I have uploaded to my blog:4 min 18 sec - Aug 12, 2007 Cameron Touge: Tougeking ’s Toyota TE72 vs Ady’s MSS Super-compact Kelisa: 6 min 15 sec - Jul 22, 2007 Sepang South Track in the Rain: 7 min 46 sec - Jul 17, 2007Cameron Touge:Tougeking vs Seng: 9 min 36 sec - Jul 15, 2007Cameron Touge: Uphill Battle between Perodua Kelisa (Malat) and Toyota TE72 (Tougeking): 11 min 53 sec - Jul 15, 2007Cameron Touge: Downhill footage of Malat’s Kelisa: 31 sec - Jul 12, 2007Cameron Touge: Toyota Van vs Lame Toyota Supra Twin Turbo: 6 min 41 sec - Jul 11, 2007Cameron Touge: Night battle of Toyota Corolla KE70 vs Proton Saga: 22 sec - Jul 8, 2007Tougeking: After the rain: 2 min 19 sec - Jul 7, 2007 Cameron Touge: Tougeking ’s Toyota TE72 Chasing Boy’s Mazda Lantis: 5 min 55 sec - Jul 6, 2007 Cameron Touge: Downhill in Toyota TE72 Twin DCOE Webers Mecha-tune: 7 min 59 sec - Jul 5, 2007 Cameron touge at night: Yeap’s Wira vs Han’s 160SSS vs Gerard’s Waja: 9 min 5 sec - Jun 21, 2007 TougeKing Cameron Touge with Yeap: 6 min 6 sec - May 31, 2007 Uphill touge: TougeKing’s Toyota Corolla TE72 at Cameron Highlands: 10 sec - May 31, 2007Boy’s attempts to drift at the Cameron Touge: 7 min 35 sec - May 30, 2007 Boy’s Toyota KE70 at the Cameron Highlands touge: 6 min 6 sec - Apr 26, 2007 Cameron Touge: Uphill Battle between EG9 B20B and TE72 5K Weber: 2 min 58 sec - Apr 26, 2007EG9 Civic B20B vs TE72 5K Weber on Cameron Highlands Touge: 8 min 37 sec - Apr 24, 2007 Uphill at Cameron Highlands Touge: 8 min 10 sec - Apr 23, 2007 Civic EG9 Cameron Touge in the Rain: 2 min 43 sec - Mar 31, 2007 Downhill Practice: Toyota KE20 and Toyota TE72: 4 min 12 sec - Mar 31, 200792 Civic EG9 touge: 9 min 42 sec - Mar 29, 2007Touge practice with EG9: 11 min 58 sec - Jan 18, 2007Solo touge session:
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That’s another 4 points gone for Langkow and 5 points gone for Huselius. Altogether, I think it’s sensible to assume about a 15 point drop for each guy next year. On the other hand, if Langkow ends up between Iginla and Tanguay at ES he’ll be in line for another career year.Anyways, all things being equal, I expect both guys points totals to drop, relative to last season. Tanguay struggled during his first 3 weeks as a Flame (2 goals, 5 points in 10 GP) and he never managed to get it going on the PP: his production rate with the man advantage actually lagged behind his 5on5 production efficiency for the first half of the year! So while his 06/07 point total of 81 represents a career high (only 2 higher than previous best of 79), I think it’s reasonable to expect as good or better from Tanguay next year. Tanguay’s PPP/60 rate was a mere 3.82 (21 points in 330 minutes), which is all of 0.54 more than his ESP/60 rate of 3.28 (60 points in 1097 minutes). Let’s say he makes a two point jump in PP efficiency in 07/08 to something like 5.30 PPP/60: 330 PP minutes over the course of the season would mean an extra 10 PP points or so. Assuming Tanguay’s ES production remains pretty stable, a 90 point year for him isn’t beyond the realm of possibility.As for Iginla, he was injured for a ten game stretch in January and never really seemed to regain his form. So let’s say another 94 points over 80 or so games.Matthew Lombardi:Lombardi was one of the best forwards during the Flames early season struggles in October 06. He scored 10 points in the first 10 games and was 7, despite the fact the team was playing on the road and losing. He would go on to score only 2 goals and 9 points for the rest of the year (22 games) after that.So, Conroy was acquired in February, which resulted in Lombardi’s average ice time sinking (he twice played less than 8 minutes in March and was scratched outright once) and with it the quality of his teammates and his confidence. Starting January 30th, Lombardi didn’t score any points in the next 4 games and he didn’t garner more than 15:30 of ice in any of those contests (in contrast to the prior 4 games: 16:30, 19:40, 18:10 and 17:06). After Jan.29th, Lombardi played 15 minutes or less 16 times.The point of all this is: Lombardi played less and played with lesser players once he got bumped from the top 6. If he can keep that up over the entire 07/08 season, he’ll score about 53 points. He led the Lightning in terms of average SH minutes last year and was on of the best on the team in terms of GA/60 rates).Of course, the most pressing team weakness last season was the abysmal road performance.
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-ne The murder of Gary Newlove has provoked Chief Constable Peter Fahay of Cheshire police to call for the drinking age to be raised to 21. Unless they are recovering alcoholics or extremely religious, they should be taking responsibility for their children’s attitude to alcohol.Perhaps if we stopped treating alcohol as if it was cocaine in a glass, children might be less concerned with drinking as much as possible. Although his suggestion to raise the drinking age is not mentioned on the Cheshire Police site, some of Fahay’s other views on alcohol consumption can be found at http://www.cheshire.police.uk/It also seems there is a confusion among the media as to how his name is spelt.
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In our case we also didn’t have any issues with me always bringing along the documents for my friend, however I assume that on a bad day a cranky official might require all applicants to stop by individually.ChinaWebsite: http://www.chinaembassy.at/det/Address: Strohgasse 22, 1030 Wien (Konsularabteilung)Phone: 43 1 / 710 36 48Opening hours: Monday / Wednesday / Friday - 8:30 a.m. to 11 a.m., Monday / Wednesday - 2 p.m. to 4 p.m.Required documents: application, 1x photoPrice: €30 (regular service, 7 days), €53 (express service, 3 days), €63 (same-day service)MongoliaWebsite: http://www.embassymon.at/Address: Fasangartengasse 45, 1130 WienPhone: 43 1 / 535 28 07 - 12Opening hours: Monday / Tuesday / Friday - 9 a.m. to 12 a.m.Required documents: application, 1x photo, invitation or confirmation by a hotel or tour-organizerPrice: €40 (regular service, 7 days), €80 (express service, 3 days) => this is for a single entry/exit visa, the one that will be most interesting to TransSib travellersRussiaWebsite: http://www.rusemb.at/Address: Reisnerstrasse 45-47, 1030 WienPhone: 43 1 / 712 12 29, 43 1 / 713 86 22Opening hours: Monday / Wednesday / Friday - 9 a.m. to 12 a.m., visa-pickup apparently on these days from 2 p.m. to 3 p.m.Required documents: application, travel-insurance form, invitation from Russian travel agency or similar entity, 1x photoPrice: Price: €35 (regular service, 10 days), €70 (express service, 3 days or less)To the best of my knowledge this information is deemed to be realiable as of August 2007.
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BIOGRAPHYShyama Shastri was the oldest of the Trinity of Carnatic music. He was a contemporary of the other two, Tyagaraja and Muthuswami Dikshitar, and was a personal friend of the former. He was born Venkatakrishna, in Tiruvarur (of Thanjavur district in Tamil Nadu) on April 26, 1762, into the scholarly and priestly Tamil Brahmin family of Viswanatha Iyer; a family not particularly interested in music. Though Shyama Shastri attained scholarship in Telugu and Sanskrit at a young age, he got no further than the elementary stages in music education, in spite of his melodious voice. When he was eighteen years old, his family moved to Tanjore.Around then, his family got a chance to host a sanyasi (monk), sangitaswami, a master of dance and music, who was spending some four months in Tanjore. The sanyasi was quick to discover Shyama Shastri’s keen intellect, melodious voice and musical talent and foresaw greatness in him. He obtained the father’s consent to tutor the son in music and taught Shyama Shastri all aspects of raga, tala and swara prasthara-s. The teacher found that the student could absorb even the intricate details very quickly, all in a matter of four months or less. Sangitaswami presented Shyama Shastri with a few rare treatises on music and certified that the student had gained full knowledge on the theoretical aspects of music. He advised his student to seek the friendship of and listen to the music (but not learn anything from) one Pachimiriam Adiyappayya Ayya, a composer of the famous bhairavi ata tala varnam, viriboni, and a court musician in Tanjore. Shyama Shastri duly did as he was advised.Over the years, Shyama Shastri became a well-known and respected musician, scholar and a composer. He was quite admired and respected by Tyagaraja and it appears that the two of them often held scholarly and lengthy discussions on their latest compositions. Shyama Shastri, like his father was the archaka (priest) in the Bangaru Kamakshi Temple in Tanjore. He was a very pious and genuine devotee of Goddess Kamakshi. He is believed to have lost consciousness of the outside world on several occasions as he prayed to the Goddess. On such occasions, he would sing his kriti-s extemporaneously. His father had the patronage of the Tanjore king. Hence, the family was financially comfortable.Shyama Shastri had two sons, Panju Shastri and Subbaraya Shastri. The former became a priest and the latter was a versatile musician (and a disciple of Tyagaraja). Through Panju Shastri, the family tree grew and produced quite a few scholars. Shyama Shastri’s great grandson was alive till the age of 94 and passed away only in 1950. Hence, many incidents of Shyama Shastri’s life are known. He was reportedly a tall and a rather stout person with a fondness for betel leaves! Shyama Shastri, like Tyagaraja and Dikshitar, was well-versed in astrology. Like his great contemporaries, he too correctly predicted the time of his passing. He passed away on February 6, 1827, six days after, his devoted wife passed away.Although he did not compose as many kriti-s as his two prolific contemporaries, Shyama Shastri’s compositions are equally well known. It is said that he has composed about three hundred pieces in all. He did not have too many disciples to propagate his compositions, nor was the printing press an easy convenience during his time! More importantly, the scholarly nature of his compositions was not appealing to the layperson; they needed to be studied to be savoured. He composed in Telugu, Sanskrit and Tamil and mostly on Goddess Devi. He has composed kriti-s in, varnam-s and swarajati-s with the ankita/mudra (signature) ‘Shyama Krishna’. He is said to be the architect of the swarajati musical form. His set of three famous swarajati-s is referred to as ratna trayam. These are in Bhairavi, Yadukulakambodhi and Todi.Shyama Shastri’s compositionsare usually in common raga-s, except for a few in raga-s such as Manji, Chintamani, Kalagada and Karnataka Kapi. His favourite raga-s seem to have been Saveri and Anandabhairavi, judging from the number of kriti-s composed in these raga-s. Anandabhairavi, an old raga that was frequently used in folk music, seemed to acquire a new stature after he composed masterpieces such as mariveregati, himachala tanaya, o jagadamba, pahi sri giriraja and even a couple of varnam-s in it. His rare originality was in swara sahitya compositions and the use of swarakshara. In other words, swara and sahitya having identical sounding syllables such as ‘padasarara’ corresponding to the swara-s pa da sa in the kriti, devi ni in Kambodhi. Though most of his compositions are on Goddess Kamakshi, he is said to have composed his navaratnamalika on Goddess Meenakshi of Madurai at the request of a person unknown to him. These include kriti-s such as saroja dala netri in Shankarabharanam, mayamma in Ahiri, meena lochana brova in Dhanyasi , etc. His Krithis usually have the pen-name ShyamaKrishna in the charanam of the song.Shyama Shastri would perhaps stand out most for the rhythmic beauties employed in his kriti-s, such as the use of five-syllable words like sarasamukhi, varamosagu, kamalamukhi, etc. These correspond to the rhythmic phrase ta dhin gi na thom. His kriti-s feature the abundant use of the misra chapu tala (4 3). He also features dual rhythms as in sankari samkuru in raga saveri, with the inherent rhythm of rupakam and a suggestive rhythm of adi tala. Shyama Shastri had a rhythmical frame of mind and he was always swimming in the ethereal regions of rhythm and tala prasthara.Musical Background: Syama Sastri did not come from a family of musicians, but was taught some music by his uncle. Despite being groomed to be a priest, he had plenty of interest and talent in music. He was taught by an ascetic, Sangeeta Swami, about the intricacies of raga and tala.Region: Syama Sastri was born in Tiruvarur, Tanjavur district, but lived in Tanjavur. He did not travel much.ContributionsRhythmic aspects: Some of Syama Sastri
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